Concert Programs





VMAC participants spend most of their time playing new or familiar works in groups they arrange themselves as the week evolves. However, each year the faculty suggest a few works, known as Works of the Week, or WOWs, as being appropriate for coaching with a group that has been arranged in advanced and whose members have numbered and practiced their parts. The coach selected by the participants may play in the group or coach from outside, as desired.. These coached groups typically meet 3 times. Newcomers, not knowing the coaches or participants, are not expected to form groups for these coaching sessions, but will be offered the opportunity to play one in their introductory coaching session(s).

Once a group has been formed, we will arrange meeting times for the sessions. There is a restriction in this advance scheduling: that no participant may be part of more than two groups. This does not preclude a person from scheduling additional multiple-session groups once everyone has arrived in Vermont.

Preparation involves studying one's part and the score, numbering the measures and listening to recordings. Since partipants live quite far from one another, previous rehearsing is not expected. The list below includes the total number of measures in each movement, where available. See also the guidelines for numbering measures, where totals are also given for the movements of many other works. The importance of having measure numbers for efficient coaching cannot be over-emphasized. Editions can vary - not all publishers follow the "rules" and may number incomplete first measures or first endings, for example. It would be wise for each group to share what edition(s) are being used and ensure consistent numbering. (Where numbering is not available, we'd appreciate your sharing your count via the email address on the home page or to Some works are published with enough rehearsal letters not to need numbering, but these are in the minority and editions can vary.)

The 2018 WoW list was presented at the November 4th board meeting:

String works:
Haydn String Quartet, Op.20, No. 2
I:106; II:63; III:86; IV:162

Mendelssohn String Quartet in E, Op. 44, No. 2
I:277; II:244; III:83; IV:515

Piano/String works:
Clara Schumann Piano Trio in G minor, Op. 17
(Please send your count of measures to for posting.)

Dohnányi Piano Quintet, No. 1, Op. 1
I:274; II:280; III:116; IV:253

Wind works:
Nielsen Wind Quintet, Op. 43
I:136; Minuet:79; III:265
In the W. Hansen edition of the Minuet, the flute and oboe parts have a da capo after bar 71, while this section is written out in the other parts.
Following the guidelines, clarinet, bassoon and horn should number this reiterated section as bars 1-43, followed by a coda numbered starting with '72'.

Ewazen Roaring Fork Quintet for Wind Instruments
The parts and score are pre-numbered in the only edition.

Piano/Wind works:

Poulenc Sextet, FP 100
I:250; II:92; III:225